LEGACY OF CHARLES MUNCH (BOX) (AUS)
LEGACY OF CHARLES MUNCH (BOX) (AUS)
MUNCH, CHARLES
product information
Condition: New, UPC: 0289484021996, Publication Date: 05/15/2020, Type: COMPACT DISC, Style: CLASSICAL/ORCHESTRAL & SYMPHONIC,
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tracks

The Polydor Recordings
Piano Concerto For The Left Hand
Fantasie For Piano And Orchestra
The L'oiseau-Lyre Recordings
Sinfonia Concertante In B Flat Major, Hob.I:105
Bassoon
– I Allegro
II Andante
III Allegro Con Spirito
Adagio And Fugue In C Minor, KV 546
Composed By
– Adagio
Fugue
The Decca Recordings
Symphony No. 8 In F Major, Op. 93
Composed By
– I Allegro Vivace E Con Brio
II Allegro Scherzando
III Tempo di Menuetto
IV Allegro Vivace
Symphony No. 5 In D Minor, Op. 107 'Reformation'
Composed By
– I Andante
II Allegro Con Fuoco
III Andante
IV Chorale: 'Ein' Feste Burg Is Unser Gott'. Andante Con Moto – Allegro Vivace – Allegro Maestoso
Benvenuto Cellini – Overture
Roméo et Juliette, Op. 17 (Scènes)
Composed By
– I Roméo Seul – Fête Chez Capulet
II Scène D'amour
III Scherzo: La Reine Mab
Les Troyens
Composed By
– Chasse Royale Et Orage
Le Corsaire – Overture, Op. 21
Symphony No. 4 In D Minor, Op. 120
Composed By
– I Ziemlich Langsam – Lebhaft -
II Romanze (Ziemlich Langsam) -
III Scherzo (Lebhaft) & Trio -
IV Langsam – Lebhaft – Schneller – Presto
Violin Concerto In D Major, Op. 77
Composed By
– I Allegro Non Troppo
Cadenza
– II Adagio
III Allegro Giocoso, Ma Non Troppo Vivace
Franck: Variations Symphoniques
Symphony In D Minor
Composed By
– I Lento
II Allegretto
III Allegro Non Troppo
Le Rouet D'Omphale, Op. 31
Danse Macabre, Op. 40
Symphony In C Major
Composed By
– I Allegro Vivo
II Adagio
III Scherzo (Allegro Vivace)
IV Allegro Vivace
La Jolie Fille de Perth - Danse Bohémienne
Pelléas Et Mélisande, Op. 80 – Suite
Composed By
– Prélude (Quasi Adagio)
La Fileuse (Andantino Quasi Allegretto)
Sicillienne (Allegro Molto Moderato)
La Mort de Mélisande (Molto Adagio)
Pavane, Op. 50
Fervaal Op. 40
Composed By
– Prélude (Act I )
Symphony No. 1 In D Major, Op. 25 'Classical'
Composed By
– I Allegro
II Larghetto
III Gavotta (Non Troppo Allegro)
IV Finale (Vivace)
Symphony No. 6 In B Minor, Op. 74 'Pathétique'
Composed By
– I Adagio – Allegro Non Troppo
II Allegro Con Grazia
III Allegro Molto Vivace
IV Finale (Adagio Lamentoso - Andante)
Ibéria (No. 2 Of Images Pour Orchestra)
Composed By
– I Par Les Rues Et Par Les Chemins
II Les Parfums de la Nuit
III Le Matin D’un Jour de Fête
Berceuse Héroïque
Petit Suite, Op. 39
Composed By
– I Aubade
II Pastorale
III Masquerade
Le Festin de L'araignée, Op. 17 - Fragments Symphoniques:
Composed By
– I Prélude
II Entrée Des Fourmis
III Danse du papillon
IV Eclosion de L’éphémère
V Danse de L’éphémère
VI Funerailles de L’éphémère
VII La Nuit Tombe Sur Le Jardin Solitaire
Suite In F Major, Op. 33
Composed By
– I Prélude
II Sarabande
III Gigue
Piano Concerto In G Major
Composed By
– I Allagramente
II Adagio Assai
III Presto
Daphnis Et Chloé – Suite No.1
Composed By
– I Nocturne
III Danse Guèrriere
Daphnis Et Chloé – Suite No. 2
Composed By
– I Lever Du Jour
II Pantomime
III Danse Générale
Boléro
Gaîté Parisienne
Arranged By
– I Ouverture
II Allegro Brillante
III Polka
IV Allegro – Valse
V Mazurka
VI Valse
VII Peruvian Dance (Allegro)
VIII Polka
IX Valse Lente
X Temp di Marcia
XI Valse
XII Vivo – Valse
XIII Allegro Molto
XIV Valse
XV Allegro – Cancan
XVI Quadrille – Cancan
XVII Allegro Moderato
XVIII Allegro
XIX Leggiero
XX Vivo
XXI Barcarolle
Carmen – Suite
Composed By
– I Les Toréadors
II Aragonaise
III Intermezzo
IV Les Dragons D'Alcana
V Habanera
VI La Garde Montante
VII Danse Bohème
Pini di Roma = Pines Of Rome
Composed By
– I I Pini di Villa Borghese = The Pines Of Villa Borghese
II I Pini Presso Una Catacomba = The Pines Near A Catacomb
III I Pini Del Gianicolo = The Pines Of The Janiculum
IV I Pini Della Via Appia = The Pines Of The Appian Way
Fontane di Roma = Fountains Of Rome
Composed By
– I La Fontana di Valle Giulia All’alba = The Fountain Of Valle Giulia At Dawn
II La Fontana di Tritone Al Mattino = The Triton Fountain At Morning
III La Fontana di Trevi Al Meriggio = The Fountain Of Trevi At Midday
IV La Fontana di Villa Medici Al Tramonto = The Fountain Of Villa Medici At Sunset
L’Arlésienne – Suite
Composed By
– I Prélude
II Minuetto
III Adagietto
IV Carillon
VI Farandole
The Véga Recordings
Symphony No. 3
Composed By
– I Pesante E Marcato
II Presto
III Adagio
IV Energico
Bacchus Et Ariane, Op. 43 - Ballet Suite No. 2
Composed By
– Prélude. Ariane Dort (Andante). Réveil D’Ariane (Moderato)
Elle Regarde Avec Étonnement De Tous Côtés. Elle Se Lève, Va, Vient, Court, Cherche Thésée Et Ses Compagnons (Lento). Elle Comprend Qu'elle Est Abandonnée (Andantino). Elle Se Hisse Péniblement En Haut D'un Rocher (Accelerando Poco A Poco – Allegro Moderato Accelerando, Molto Agitato Accelerando). Elle Va Se Précipiter Dans Les Flots. Elle Tombe Dans Les Bras de Bacchus, Qui A Surgi Derrière La Crête Du Roc (Meno Allegro, Accelerando). Bacchus Reprend Avec Ariane éveillée la Danse Du Songe (Poco Più Allegro). Bacchus Danse Seul (Allegro).
Le Baiser (Andante). L’enchantement Dionysiaque (Andantino). Le Thiase Défile (Allegro Deciso). Un Faune Et Une Ménade Présentent À Ariane La Coupe D'or Dans Laquelle Ils Ont Exprimé Le Jus D'une Grappe (Rall. Poco A Poco). Danse D'Ariane (Andante, Poco Più Mosso – Andantino – Lento – Meno Lento, E Accel. Poco A Poco – Allegro Moderato).
Bacchanale (Allegro Brillante – Presto – Allegro Molto). Le Couronnement D’Ariane
The Philips Recording
Symphonie Fantastique, Op. 14
Composed By
– Rêveries. Passions. (Largo – Allegro Agitato Ed Appassionato Assai)
Un Bal (Valse: Allegro Non Troppo)
Scène Aux Champs (Adagio)
Marche Au Supplice
Songe D’un Nuit Du Sabbat (Larghetto – Allegro - Ronde Du Sabbat: Poco Meno Mosso)
The Deutsche Grammophon Recording
Requiem, Op. 5 (Grande Messe Des Morts)
Composed By
– I Requiem Et Kyrie. / Introitus: Andante Un Poco Lento
II Dies Irae – Tuba Mirum / Prosa: Moderato / Tuba Mirum: Andante Maestoso – Più Largo
III Quid Sum Miser (Andante Un Poco Lento)
IV Rex Tremendae (Andante Maestoso)
V Quaerens Me (Andante Sostenuto)
VI Lacrimosa (Andante Non Troppo Lento)
VII Offertorium (Moderato)
VIII Hostias (Andante Non Troppo Lento)
IX Sanctus (Andante Un Poco Sostenuto E Maestoso – Allegro Non Troppo)
X Agnus Dei (Andante Un Poco Lento)
12:17

notes

CD 1
Polydor Recordings: Paris, France, January 1938 (Ravel), February 1938 (Widor)
Matrix Nos.: 1125½ / 1126½ / 1127 / 1128½ GPP (Ravel); 11/57 / 1158½ / 1159 / 1160½ GPP (Widor)
Original Polydor Releases: 566.192-93 (Ravel, 1938); 566.205-06 (Widor, 1938)
℗ & © 1938 (Ravel) Deutsche Grammophon GmbH, Berlin
℗ & © 1938 (Widor), Decca Records France
The L'Oiseau-Lyre Recordings: Paris, France, October 1938 (Haydn), February 1939 (Mozart)
Matrix Nos.: PART 1285-90 (Haydn); PART 1422-23 (Mozart)
Original L'Oiseau-Lyre Releases: OL 83-85 (Haydn); OL 93 (Mozart, 1938)
℗ & © 1938 (Haydn), 1939 (Mozart) Decca Music Group Limited

CD 2
Recordings: Kingsway Hall, London, UK, 29 September-2 October 1947
Matrix Nos.: AR 11581-86 (Beethoven); AR 11587-93 (Mendelssohn)
Original Decca Releases: AK 1933-35 / LX 3053 (Beethoven, August 1949); K 1715-8 (Mendelssohn, February 1948)
℗ & © 1948 (Mendelssohn), 1949 (Beethoven) Decca Music Group Limited

CD 3
Recording Locations: Walthamstow Assembly Hall, London, UK, 11 October 1946 (Benvenuto Cellini); La Maison de la Mutualité, Paris, France, 27 May 1948 (Le Corsaire), 30-31 May 1949 (Roméo et Juliette, Les Troyens)
Matrix Nos.: AR 10709-11 (Benvenuto Cellini); FAR 64-66 (Roméo et Juliette: 1), FAR 67-69 (Roméo et Juliette: 2), FAR 62-63 (Roméo et Juliette: 3); FAR 60-61 (Les Troyens); FAR 32-33 (Le Corsaire)
Original Decca Releases: LXT 2677 (Benvenuto Cellini, March 1952); AX 293-95 (Roméo et Juliette 1 & 2, January 1950); LXT 2512 (Roméo et Juliette: 1-3, 1950); X 301 /LXT 2512 (Les Troyens, February 1950); LXT 2677 (Le Corsaire, October 1948)
℗ & © 1948 (Le Corsaire), 1950 (Roméo et Juliette, Les Troyens), 1952, (Benvenuto Cellini) Decca Music Group Limited

CD 4
Recording Locations: Walthamstow Assembly Hall, London, UK, 4 June 1947 (Schumann); Concertgebouw, Amsterdam, The Netherlands, 13-14 September 1948 (Brahms)
Matrix Nos.: AR 11332-39 (Schumann); HAR 41-50 (Brahms)
Original Decca Releases: AK 2022-24 / LLP 468 (Schumann, February 1950); AK 2055-59 / LXT 2566 (Brahms, January 1949)
℗ & © 1949 (Brahms), 1950 (Schumann) Decca Music Group Limited

CD 5
Recording Locations: Walthamstow Assembly Hall, London, UK, 1 October 1946 (Franck, Saint-Saëns: Le Rouet d’Omphale); Concertgebouw, Amsterdam, The Netherlands, 15 September 1948 (Saint-Saëns: Danse macabre)
Matrix Nos.: AR 10614-17 (Franck: Variations Symphoniques); AR 10701-08 ((Franck: Symphony); AR 10712-13 (Saint-Saëns: Le Rouet d'Omphale); HAR 51-52 (Saint-Saëns: Danse macabre)
Original Decca Releases: K 1587-88 / LXT 2692 (Franck: Variations Symphoniques, June 1947); K 1639-42 / LXT 2692 (Franck: Symphony, February 1948); K 1695 (Saint-Saëns: Le Rouet d'Omphale, March 1949); K 2069 (Saint-Saëns: Danse macabre, January 1949)
℗ & © 1947 (Franck: Variations Symphoniques), 1948 (Franck: Symphony), 1949 (Saint-Saëns) Decca Music Group Limited

CD 6
Recording Locations: Kingsway Hall, London, UK, 3 June 1947 (Bizet: Symphony), 5 June 1947 (Bizet: La Jolie fille de Perth, Fauré: Pelléas et Mélisande), 4 October 1947 (d'Indy); Walthamstow Assembly Hall, London, UK, 9 October 1946 (Fauré: Pavane)
Matrix Nos.: AR 11325-31 (Bizet: Symphony); AR 11342 (Fauré: Pelléas et Mélisande); AR 10679 (Fauré: Pavane), AR 11605 (d'Indy)
Original Decca Releases: K 1781-4 (Bizet: Symphony, La Jolie fille de Perth, March 1948; K 1740-41 (Fauré: Pelléas et Mélisande, February 1950); K 1644 (Fauré: Pavane, April, 1948); K 1718 (d'Indy, February 1948)
℗ & © 1948 (Bizet; Fauré: Pavane, d'Indy) 1950 (Fauré: Pelléas et Mélisande) Decca Music Group Limited

CD 7
Recording Locations: Kingsway Hall, London, UK, 4 October 1947 (Prokofiev); La Maison de la Mutualité, Paris, France, 24-27 May 1049 (Tchaikovsky)
Matrix Nos.: AR 11605-09 (Prokofiev); FAR 13-24 (Tchaikovsky)
Original Decca Releases: L 1756-57 / LXT 2522 (Prokofiev, November 1948); AK 1968-73 / LXT 2544 (Tchaikovsky, November 1948)
℗ & © 1948 Decca Music Group Limited

CD 8
Recording Locations: Kingsway Hall, London, UK, 29 September–2 October 1947 (Debussy: Ibéria, Berceuse héroïque), 2 June 1947 (Roussel: Suite in F major), 6 June 1947 (Roussel: Le Festin de l’araignée); Walthamstow Assembly Hall, London, UK, 9 October 1946 (Roussel: Petite Suite)
Matrix Nos.: AR 11594-98 (Debussy: Ibéria); AR 11599 (Debussy: Berceuse héroïque); AR 11321-24 (Roussel: Suite in F major); AR 10680-82 (Roussel: Petite Suite); AR 11343-46 (Roussel: Le Festin de l'araignée)
Original Decca Releases: K 1763-65 (Debussy: Ibéria, Berceuse héroïque, August 1949); K 1643-44 (Roussel: Petite Suite, April 1948); K 1772-73 (Roussel: Suite in F major, 1948); Decca K 1691-92 (Roussel: Le Festin de l’araignée, February 1950)
℗ & © 1948 (Roussel: Petite Suite), 1949 (Debussy: Ibéria, Berceuse héroïque), 1950 (Roussel: Suite in F major, Le Festin de l’araignée) Decca Music Group Limited

CD 9
Recording Locations: La Maison de la Mutualité, Paris, France, June 1949 (Piano Concerto); Walthamstow Assembly Hall, London, UK, 9 October 1946 (Daphnis et Chloé), 10 October 1946 (Boléro)
Matrix Nos.: FAR 70-75 (Piano Concerto); AR 10683-84 (Daphnis et Chloé – Suite No. 1); AR 10685-88 (Daphnis et Chloé – Suite No. 2); AR 10689-92 (Boléro)
Original Decca Releases: LXT 2565 (Ravel: Piano Concerto, March 1951); K 1584 (Daphnis et Chloé – Suite No. 1, June 1947); K 1585-86 (Daphnis et Chloé – Suite No. 2, June 1947); K 1637-38 (Boléro, December 1947)
℗ & © 1947 (Daphnis et Chloé, Boléro), 1951 (Piano Concerto) Decca Music Group Limited

CD 10
Recording Location: Kingsway Hall, London, UK, 10-11 December 1965 (Offenbach), 4-5 January 1967 (Bizet)
Original Decca Releases: PFS 4096 (Offenbach, September 1966); PFS 4127 (Bizet, September 1967; coupled with L’Arlésienne on CD 11)
℗ & © 1966 (Offenbach), 1967 (Bizet) Decca Music Group Limited

CD 11
Recording Location: Kingsway Hall, London, UK, 4-5 January 1967
Original Decca Releases: PFS 4131 (Respighi, January 1968); PFS 4127 (Bizet, September 1967; coupled with Carmen suite on CD 10)
℗ & © 1967 (Bizet), 1968 (Respighi) Decca Music Group Limited

CD 12
Recording: Paris, France, 10 December 1961
Original Véga Release: C30ST 20 035 (1961)
℗ & © 1961 Decca Records France

CD 13 Tracks 1-5
Recording Location: Budapest, Hungary, 15 April 1966
Original Philips Release: 426 103-2 (1989)
℗ & © 1967 Universal International Music BV

CD 13 (Tracks 6 -7) and CD 14
Recording Location: Herkulessaal, Munich, Germany, 6–8 July 1967 (Overdubbing of Peter Schreier's solo to pre-recorded orchestral track taped on 21 February 1968 in Vienna)
Original Deutsche Grammophon Release: 2707 032 (1968)
℗ & © 1968 Deutsche Grammophon GmbH, Berlin

credits

Art Direction
– - Raymond Bannerman
Booklet Editor – - Philip Stuart
Conductor – - Charles Munch
Edited By – - Joachim Niss (tracks: 13-6, 13-7, 14-1 to 14-8)Engineer [Audio Assembly] – - Chris Bernauer
Engineer [Balance Engineer] – - Arthur Lilley (tracks: 10-1 to 10-28, 11-1 to 11-13), - Günter Hermanns (tracks: 13-6, 13-7, 14-1 to 14-8), - Hans-Peter Schweigmann (tracks: 13-6, 13-7, 14-1 to 14-8), - Kenneth Wilkinson (tracks: 2-1 to 2-8, 3-1, 3-6, 4-1 to 4-7, 5-1 to 5-6, 6-1 to 6-11, 7-1 to 7-8, 8-1 to 8-17, 9-4 to 9-9), - Unknown Artist (tracks: 3-2 to 3-5, 9-1 to 9-4)Executive-Producer – - Otto Gerdes (tracks: 13-6, 13-7, 14-1 to 14-8)Executive-Producer [Eloquence Producer] – - Cyrus Meher-Homji
Liner Notes – - Jean-Charles Hoffelé
Liner Notes [Translation] – - Adam Freeman (2)
Liner Notes [Translation], Booklet Editor – - Bruce Raggatt
Producer – - Claude Samuel (tracks: 12-1 to 12-8)Producer [Recording Producer] – - Tony D'Amato (tracks: 10-1 to 10-28, 11-1 to 11-13), - Unknown Artist (tracks: 3-2 to 3-5, 9-1 to 9-4), - Victor Olof (tracks: 3-1, 3-6, 4-1 to 4-7, 5-1 to 5-4, 5-6, 6-1 to 6-11, 7-1 to 7-8, 8-1 to 8-17, 9-4 to 9-8)Producer [Recording Producer], Engineer – - László Ujházy (tracks: 13-1 to 13-5)Producer [Recordings] – - Hans Weber (tracks: 13-6, 13-7, 14-1 to 14-8), - Terence Gibbs (tracks: 2-1 to 2-8, 5-5, 9-9)Remastered By [Remastering Engineer] – - Chris Bernauer (tracks: CDs 10 to 14)Remastered By, Restoration [Audio Restoration] – - Chris Bernauer , - Mark Obert-Thorn
Transferred By [Digital Transfers and Audio Restoration] – - Mark Obert-Thorn (tracks: CDs 1 to 9)

companies

Phonographic Copyright Universal Music Australia Pty Ltd
Phonographic Copyright Deutsche Grammophon GmbH
Phonographic Copyright Decca Records France
Phonographic Copyright Decca Music Group Limited
Copyright Deutsche Grammophon GmbH
Copyright Decca Records France
Copyright Decca Music Group Limited
Copyright Universal International Music BV
Marketed By Universal Classics amp Jazz
Made By Technicolor, Australia
Recorded At Kingsway Hall
Recorded At Maison de la Mutualit
Recorded At Concertgebouw, Amsterdam
Recorded At Walthamstow Assembly Hall
Recorded At Herkulessaal, Mnchen
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