WAITING FOR COLUMBUS (BONUS CD) (DLX)
WAITING FOR COLUMBUS (BONUS CD) (DLX)
LITTLE,FEAT
product information
Condition: New, UPC: 0812278274270, Publication Date: 04/02/2002, Type: COMPACT DISC, Style: POP/ROCK,
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description

tracks

Join The Band
Fat Man In The Bathtub
All That You Dream
Oh Atlanta
Old Folk's Boogie
Dixie Chicken
Tripe Face Boogie
Rocket In My Pocket
Time Loves A Hero
Day Or Night
Mercenary Territory
Spanish Moon
Willin'
Don't Bogart That Joint
A Apolitical Blues
Sailin' Shoes
Feats Don't Fail Me Now
One Love Stand
Rock And Roll Doctor
Skin It Back
On Your Way Down
Walkin All Night
Cold, Cold, Cold
Day At The Dog Races
Skin It Back
Red Streamliner
Teenage Nervous Breakdown

notes

Recorded at:
The Rainbow Theatre, London, England, with the Manor Mobile Unit, 8/1/77 (-), 8/2/77 (1-8, 1-11, 2-8), 8/3/77 (1-6, 1-7, 2-3), 8/4/77 (1-5, horn break on 1-6, 1-9, 1-10, 2-11)
Lisner Auditorium, George Washington University, Washington, DC, with the Fedco Remote, 8/8/77 (1-2 to 1-4, 1-12 to 2-2, 2-10, 2-13, 2-14), 8/9/77 (2-5 to 2-7, 2-12, 2-15), 8/10/77 (2-4, 2-9)
[Note: Manchester City Hall, Manchester, England (7/29/77) was also recorded on 24-track tape, but nothing was ever used from this date.]

Disc 1 (all) & disc 2 (2-1 to 2-5) from the original release of Waiting For Columbus, Warner Bros. #2BS-3140 (2/10/78)
Refurbished at Sunset Sound, Hollywood, CA; Westlake Audio, Los Angeles, CA (8/19/77-9/10/77). Mixed at Westlake Audio, Los Angeles, CA (9/12/77-10/16/77)
[Note: For aesthetic reasons, the playing order of Sides 2 (1-9 to 1-12) & 3 (1-6 to 1-8) has been switched so that the band's main set (contained on Disc 1) now concludes with the long ovation that leads into the encore.]

Disc 2 (2-6 to 2-10)
Performances that were refurbished & mixed for the original album Waiting For Columbus, but not used.

Disc 2 (2-11, 2-12)
Selections that were apparently never considered for inclusion on either the original album or Hoy-Hoy! They are newly mixed from the original multitrack tapes and do not contain any overdubs.

Disc 2 (2-13 to 2-15)
First issued on the album Hoy-Hoy!, Warner Bros. #2BSK-3538 (7/29/81)
Refurbished & mixed at George Massenburg Studios (The Complex), West Los Angeles, CA (12/80-3/81)

[Note: This release now contains all the songs that were performed at the series of shows recorded for this album.]

Reissue annotation:
Mixes for "Cold, Cold, Cold" & "Day At The Dog Races" (2-11, 2-12) at Capitol Studios

Art Direction, Design: GregAllen@gapd

This Reissue/Compilation ℗ 1978, 1981 & 2002 Warner Bros. Records Inc. © 1978 & 2002 Warner Bros. Records Inc. & Rhino Entertainment Company.
Made in Germany.

Released in slim double jewel case housed in an extra cardboard sleeve, with 24 pp. booklet. Recorded at Lisner Auditorium, Washington, DC, on 8 August 1977 (tracks 1-2 to 1-4, 1-12 to 2-1, 2-10, 2-13, 2-14), 9 August 1977 (tracks 2-5, 2-5 to 2-7, 2-12, 2-15), 10 August 1977 (tracks 1-1, 2-4, 2-9), and at the Rainbow Theatre, London on 2 August 1977 (tracks 1-7, 1-8, 1-11, 2-8), 3 August 1977 (tracks 1-6, 1-7, 2-3) and 4 August 1977 (tracks 1-5, 1-6, 1-9, 1-10, 2-11).

Recorded at the Rainbow Theatre, London, England with the Manor Mobile Unit (8/1/77, 8/2/77, 8/3/77, 8/4/77), and the Lisner Auditorium, George Washington University, Washington, DC, with the Fedco Remote (8/8/77, 8/9/77, 8/10/77). Manchester City Hall, Manchester, England (7/29/77) was also recorded on 24-track tape, but nothing was ever used from this date.

Disc 1 (1-1 to 1-12) & Disc 2 (2-1 to 2-5) from the original release of Waiting For Columbus, Warner Bros. #2BS-3140 (2/10/78). Refurbished at Sunset Sound, Hollywood, CA; Westlake Audio, Los Angeles, CA (8/19/77-9/10/77). Mixed at Westlake Audio, Los Angeles, CA (9/12/77-10/16/77).

For aesthetic reasons, the playing order of Sides 2 (1-9 to 1-12) & 3 (1-6 to 1-8) has been switched so that the band's main set (contained on Disc 1) now concludes with the long ovation that leads into the encore. Disc 2 (2-6 to 2-10), tracks refurbished & mixed for the original album Waiting For Columbus, but not used.

Disc 2 (2-11, 2-12): Selections that were apparently never considered for inclusion on either the original album or Hoy-Hoy! They are newly mixed from the original multitrack tapes and do not contain any overdubs.
Disc 2 (2-13 to 2-15) first issued on the album Hoy-Hoy!, Warner Bros. #2BSK-3538 (7/29/81), tracks refurbished & mixed at George Massenburg Studios (The Complex), West Los Angeles, CA (12/80-3/81).

This release now contains all the songs that were performed at the series of shows recorded for this album.

23-page booklet

This Reissue Compilation ℗ 1978, 1981 & 2002 Warner Bros. Records Inc. © 1978 & 2002 Warner Bros. Records Inc. & Rhino Entertainment Company

credits


A&R [Assistance] – David Baker, David McLees, Mark Leviton, Randy Perry, Robin Hurley
Art Direction, Design – Greg Allen (7)
Band [Little Feat], Bass – Kenny Gradney
Band [Little Feat], Congas, Percussion, Vocals – Sam Clayton
Band [Little Feat], Drums, Percussion, Vocals – Richie Hayward
Band [Little Feat], Vocals, Guitar [Guitars] – Paul Barrère,
Band [Little Feat], Vocals, Guitar [Guitars], Maracas, Cowbell – Lowell George
Band [Little Feat], Vocals, Piano, Electric Piano, Organ, Synthesizer – Bill Payne
Coordinator [Liner Notes] – Leigh Hall
Featuring [With The Tower Of Power Horn Section], Baritone Saxophone [Baritone Sax] – Stephen "Doc" Kupka,
Featuring [With The Tower Of Power Horn Section], Tenor Saxophone [1st Tenor Sax], Clarinet, Soloist [Solos], Alto Saxophone [Alto Sax] – Lenny Pickett
Featuring [With The Tower Of Power Horn Section], Tenor Saxophone [2nd Tenor Sax] – Emilio Castillo
Featuring [With The Tower Of Power Horn Section], Trumpet [1st], Trombone – Mic Gillette
Featuring [With The Tower Of Power Horn Section], Trumpet [2nd], Arranged By [Horns] – Greg Adams
Featuring [With] – Tower Of Power Horn Section
Featuring [With], Backing Vocals – Michael McDonald (tracks: 2-14), Patrick Simmons (tracks: 2-14)
Featuring [With], Guitar – Mick Taylor (tracks: 2-3)
Liner Notes [Reissue] – B.S.,
Management – Deep South Entertainment
Management [Business Affairs] – Malia Doss
Mixed By – Bill Inglot (tracks: 2-11, 2-12), Brian Kehew (tracks: 2-11, 2-12), George Massenburg (tracks: 2-13 to 2-15), Warren Dewey (tracks: 1-1 to 2-10)
Mixed By [Assistant Engineers] – Barbara Rooney (tracks: 2-13 to 2-15), Billy Youdelman (tracks: 2-13 to 2-15), Jim Isaacson (tracks: 1-1 to 2-10), Peggy McCreary (tracks: 1-1 to 2-10), Ron Pendragon (tracks: 2-13 to 2-15), Steve Hodge (tracks: 1-1 to 2-10)
Photography By [Photos] – Chris Van Der Vooren, Richard Young (9), Robert Matheu
Producer – Bill Payne (tracks: 2-13 to 2-15), George Massenburg (tracks: 2-13 to 2-15), Lowell George (tracks: 1-1 to 2-5), Paul Barrère, (tracks: 2-13 to 2-15)
Product Manager – Emily Cagan
Recorded By [With The Fedco Remote, Assisted By] – Andy Bloch (tracks: 1-1 to 1-4, 1-12 to 2-2, 2-4 to 2-7, 2-9, 2-10, 2-12 to 2-15)
Recorded By [With The Fedco Remote] – Warren Dewey (tracks: 1-1 to 1-4, 1-12 to 2-2, 2-4 to 2-7, 2-9, 2-10, 2-12 to 2-15)
Recorded By [With The Manor Mobile Unit, Assisted By] – Andy Bloch (tracks: 1-5 to 1-11, 2-3, 2-8, 2-11)
Recorded By [With The Manor Mobile Unit] – George Massenburg (tracks: 1-5 to 1-11, 2-3, 2-8, 2-11)
Reissue Producer [This Reissue/Compilation Produced For Release By] – Bill Payne, Gary Peterson (2), Paul Barrere
Remastered By – Bill Inglot, Dan Hersch
Research [Editorial Research] – Steven Chean
Supervised By [Editorial Supervision] – Sheryl Farber
A&R [Assistance] – David Baker, David McLees, Mark Leviton, Randy Perry, Robin Hurley
Alto Saxophone [Solos] – Lenny Pickett
Arranged By [Horns] – Greg Adams
Backing Vocals – Michael McDonald (tracks: 2-14), Patrick Simmons (tracks: 2-14)
Baritone Saxophone – Stephen "Doc" Kupka,
Bass – Kenny Gradney
Congas, Percussion, Vocals – Sam Clayton
Coordinator [Liner Notes] – Leigh Hall
Design, Art Direction – Greg Allen (7)
Drums, Percussion, Vocals – Richie Hayward
Guitar – Mick Taylor (tracks: 2-3)
Liner Notes [Reissue] – Bud Scoppa
Management [Business Affairs] – Malia Doss
Management [Editorial Supervision] – Sheryl Farber
Management [Product Manager] – Emily Cagan
Mixed By – George Massenburg (tracks: 2-13 to 2-15), Warren Dewey (tracks: 1-1 to 2-5)
Mixed By [Assistant Engineer] – Barbara Rooney (tracks: 2-13 to 2-15), Billy Youdelman (tracks: 2-13 to 2-15), Ron Pendragon (tracks: 2-13 to 2-15)
Mixed By [Reissue] – Bill Inglot (tracks: 2-11, 2-12), Brian Kehew (tracks: 2-11, 2-12)
Performer [Horn Section] – Tower Of Power
Photography By – Chris Van De Vooren, Richard Young (9), Robert Matheu
Producer – Bill Payne (tracks: 2-13 to 2-15), George Massenburg (tracks: 2-13 to 2-15), Lowell George (tracks: 1-1 to 1-12, 2-1 to 2-5), Paul Barrere (tracks: 2-13 to 2-15)
Recorded By – George Massenburg (tracks: 1-5 to 1-11, 2-3, 2-8, 2-11), Warren Dewey (tracks: 1-1 to 1-4, 1-12, 2-1, 2-4, 2-4 to 2-7, 2-9, 2-10, 2-12 to 2-15)
Recorded By [Assistant] – Andy Bloch (tracks: 1-1 to 2-15)
Reissue Producer – Bill Payne, Gary Peterson (2), Paul Barrere
Remastered By – Bill Inglot, Dan Hersch
Research [Editorial Research] – Steven Chean
Tenor Saxophone [1st], Clarinet – Lenny Pickett
Tenor Saxophone [2nd] – Emilio Castillo
Trumpet [1st], Trombone – Mic Gillette
Trumpet [2nd] – Greg Adams
Vocals, Guitar – Paul Barrere
Vocals, Guitar, Maracas, Cowbell – Lowell George
Vocals, Piano, Electric Piano, Organ, Synthesizer – Bill Payne

companies


Recorded By – Manor Mobile
Recorded By – Fedco Audio Labs
Phonographic Copyright (p) – Warner Bros. Records Inc.
Copyright (c) – Warner Bros. Records Inc.
Copyright (c) – Rhino Entertainment Company
Made By – Warner Music Manufacturing Europe
Recorded At – Rainbow Theatre London
Recorded At – Lisner Auditorium
Mixed At – Westlake Audio
Mixed At – The Complex
Mixed At – Capitol Studios
Remastered At – DigiPrep
Designed At – GAPD
Pressed By – WMME Alsdorf
Recorded At – Lisner Auditorium
Recorded At – Rainbow Theatre London
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