tracks

Where the Bee Sucks
Kemps Jug
O Mistress Mine
Light Of Love
Take, O Take Those Lips Away
It Was A Lover And His Lass
Callinoe
Full Fathom Five
Passamezzo Pavan
Farewell, Dear Love
Greensleeves
The Poor Soul Sat Sighing
Sink A Pace
Hark, Hark! The Lark
Packington's Pound
Bergamasca
Sellenger's Round
Ring Out Your Bells
Fortune My Foe
The Arraignment Of John Flodder
Fortune
The Hunt's Up
Light O' Love
The Poor People's Complaint
The Sick Tune
Peg A Ramsey
The Cushion Dance
Tarelton's Riserrectione
The Rat Catcher

notes

Sleeve notes:
Music played a much more important part in Shakespeare's plays than a casual look at the printed editions suggests. On closer inspection we find a wealth of musical stage directions ranging from simple trumpet fanfares to instrumental dances and fully-fledged songs. Only a handful of the earliest song settings have survived, and the finest of them are recorded here. One of the best-loved of all is the enchanting 'O Mistress Mine' sung by Feste to Sir Toby and Sir Andrew as they pass round the wassail bowl. But there are plenty of other musical references in Twelfth Night which are often overlooked. When Sir Toby and his friends plan to take revenge on Malvolio by getting him to wear yellow stockings, Sir Toby cries out 'Malvolio's a Peg-a-Ramsey'. 'Peg a Ramsey' is the name of a popular ballad one of whose verses includes the words 'Give me my yellow hose again. Give me my yellow hose, for now my wife she watches me'. Shakespeare's plays are full of these allusions. The ballads were not actually sung, but just mentioning them made a dramatic point, sparking off a whole chain of associations in the minds of the audience. This album features a broad selection of these popular tunes, including three different versions of 'Light of Love' (one of which is used for the ballad 'The Poor Peoples' Complaint'). In The Merry Wives of Windsor Falstaff refers to the tune 'Fortune my foe', and it can be heard here in versions for solo lute, pipe and tabor and to the words of the ballad 'The Arraignment of John Flodder'. The much-loved Greensleeves is also referred to in The Merry Wives, when Mrs Ford tells Mrs Page that Falstaff's disposition fits the truth of his words as badly as the words of the 100th Psalm fit the tune of Greensleeves.

To complete the picture, there are a number of dances either mentioned by or associated with Shakespeare. Kemp's Jig and Tarleton's Riserrectione commemorate two actors noted for their dancing skills - Kemp was the original Dogberry in Much Ado About Nothing. All in all a musical entertainment which our Elizabethan and Jacobean ancestors would have enjoyed as much as the plays themselves.

The Finest Music and Songs from Shakespeare's Plays Performed on Instruments of the Period.

"The Tempest" (tracks 1 & 8)
"Twelfth Night" (tracks 3 & 10)
"Measure for Measure" (track 5)
"As You Like It" (track 6)
"Othello" (track 12)
"Cymbeline" (track 14)

credits

Cittern – Matthew Spring
Executive-Producer – Martin Souter
Hurdy Gurdy – Matthew Spring
Lute – Matthew Spring
Pipe, Other [Tabor] – Sharon Lindo
Producer – Simon Heighes
Recorder – Sharon Lindo
Soprano Vocals – Sara Stowe
Violin [Renaissance Violin] – Sharon Lindo

companies

Phonographic Copyright (p) – Classical Communications Ltd
Copyright (c) – Classical Communications Ltd

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