tracks

What A Shame
Mourning Grace
Thrill Is Gone
Romanesque
Yellow Car III
Wood Is A Pleasant Thing To Think About
Inchworm
Ode To Billie Joe
Too Rich For My Blood
Taste Of Honey
Nardis
Manha De Carnaval

notes

Recorded and Mixed at Chicago Recordings Company, Studio 5, Chicago IL. June 28-30, July 1, 1994.
Mastering at Foothill Digital, New York.
"Romanesque" was adapted from "Vatican Ed. XVI".
www.premonitionandmusic.com
www.bluenote.com
www.patriciabarber.com

This recording authored for Hybrid SACD by Gus Skinas at the Super Audio Center, Boulder, Colo.

Patricia Barber's 1994 audiophile classic Cafe Blue is available for the first time unmastered, Capitol Studios remix. SACD Hybrid will play on all SACD and CD players.

Cafe Blue was recorded at Chicago Recording Company in early 1994 by recording engineer Jim Anderson. It was the first release Barber recorded for Premonition Records. Recorded in 16/48 kHz on a 32-track Otari machine, the original multitracks were then transferred and remixed in 2011 at Capitol Studios in Holywood, California. Recorded and Mixed at Chicago Recordings Company, Studio 5, Chicago IL. June 28-30, July 1, 1994.
Mastering at Foothill Digital, New York.
"Romanesque" was adapted from "Vatican Ed. XVI".
www.premonitionandmusic.com
www.bluenote.com
www.patriciabarber.com

This recording authored for Hybrid SACD by Gus Skinas at the Super Audio Center, Boulder, Colo.

Patricia Barber's 1994 audiophile classic Cafe Blue is available for the first time unmastered, Capitol Studios remix. SACD Hybrid will play on all SACD and CD players.

Cafe Blue was recorded at Chicago Recording Company in early 1994 by recording engineer Jim Anderson. It was the first release Barber recorded for Premonition Records. Recorded in 16/48 kHz on a 32-track Otari machine, the original multitracks were then transferred and remixed in 2011 at Capitol Studios in Holywood, California.

credits

Art Direction, Design – Mare Earley
Bass – Michael Arnopol
Drums, Percussion, Percussion [Body Parts] – Mark Walker (2)
Engineer [Assistant] – Jeffrey Lane,
Engineer [Mastering] – Nick Prout,
Engineer, Mastered By – Jim Anderson
Executive-Producer – Michael Friedman (5)
Guitar – John McLean (2)
Liner Notes – Neil Tesser
Photography [Cover, Back Cover, Disc] – Jean Moss
Photography [Inside] – Valerie Booth
Photography [Photo Stylist] – Anne Moorhouse
Piano, Vocals, Producer – Patricia Barber
Art Direction, Design – Mare Earley
Bass – Michael Arnopol
Drums, Percussion, Percussion [Body Parts] – Mark Walker (2)
Engineer [Assistant] – Jeffrey Lane,
Engineer [Mastering] – Nick Prout,
Engineer, Mastered By – Jim Anderson
Executive-Producer – Michael Friedman (5)
Guitar – John McLean (2)
Liner Notes – Neil Tesser
Photography [Cover, Back Cover, Disc] – Jean Moss
Photography [Inside] – Valerie Booth
Photography [Photo Stylist] – Anne Moorhouse
Piano, Vocals, Producer – Patricia Barber

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