TURNS ON (UK)

SOFT MACHINE

description

tracks

I Should've Known
We Know What You Mean
I'm So Low
Clarence In Wonderland
Hope For Happiness
I Should've Known (Version 2)
We Know What You Mean (Version 2)
She's Gone
Save Yourself
Lullaby Letter
I Should've Known (Version 3)
A Certain Kind
Clarence In Wonderland (Version 2)
May I? (Instrumental Variant)
We Know What You Mean (Version 3)
Hope For Happiness (Version 2)
Moon In June
I Should've Known
A Certain Kind
Save Yourself
Lullaby Letter
Organistics
Lullaby Letter/Priscilla/Lullaby Letter (Reprise)
We Did It Again
Why Are We Sleeping
Joy Of A Toy
Hope For Happiness
Clarence In Wonderland
Moon In June (Reprise)
Esther's Nose Job

NOTES

Single release reissue of two separate Voiceprint releases from 2001 : Soft Machine Turns On Volume 1 and Soft Machine Turns On Volume 2

Disc 1:
Tracks 1, 3 : recorded April 1967 at DeLane Lea Studios, London UK. [only "Various UK studio" in the liner notes]
Tracks 2, 11: Recorded 22 September 1967, at Vitus Studio, Bussum (Netherlands). [only "European studio" in the liner notes]
Tracks 4, 5, 7, 12 : recorded 5 December 1967 at BBC Radio Studios, London UK. [only "Various UK studio" in the liner notes]
Track 6, 8 : recorded June 1967 at Sound Techniques, Chelsea, UK. [only "Various UK studio" in the liner notes]
Tracks 9, 10, 13 to 16: recorded 10 November 1967 at Middle Earth, London, UK. [also "Speakeasy Club" in the liner notes]
Track 14 - This is an instrumental interpretation by Mike Ratledge based on the chord sequence of the middle section of the Kevin Ayers song 'May I?'.

Disc 2:
Tracks 1 to 5 - Concertgebouw, Amsterdam, Netherlands 10th December 1967.
Track 6 - Middle Earth, London, UK, 10th December 1967
Tracks 7 to 14 - Col Ballroom, Davenport, Iowa, USA - 22th August, 1968.

Track 2-1 and 2-13 wrongly titled "Moon in June" are in fact respectively "That's How Much I Need You Now" and "You Don't Remember"
Track 2-14 wrongly titled "Esther's Nose Job" is in fact an Improvisation followed by "10:30 Return To The Bedroom"

Special thanks to Christine Hopper.

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