Alex Matthews thought he had left it all behind: his CIA career, the viper's den of bureaucracy at headquarters, the deceits of the cat-and-mouse game of double agents, and the sudden trips to Russia, which poisoned his marriage and made him an absentee husband and father, with tragic results.

But then the Director came asking for a favor. Something that only Alex could do because it involved the asset Byron--a Russian agent whom Alex had recruited. Byron had something of great interest to the CIA; the Director said it was a matter of grave national security that implicated the White House, and that Byron would hand over the kompromat once he was extricated from Russia.

But Alex is a different man than when he had run Moscow station: he has pieced his life back together after a tragic accident killed his wife and daughter--but the scars remain. He left the agency; started a financial firm that made him wealthy; and met a new woman, Anna, who works as an interpreter in the CIA. Anna is beautiful and supportive and helps him find love again after years of drowning in grief alongside his son. Throughout the last years, Alex has remained, in his mind, a patriot, and so he begrudgingly accepts the Director's request.

Something, though, doesn't feel right about the whole operation from the start. The Russians seem one step ahead and the CIA suspects there is a traitor in the agency, passing along secrets to the Russians. Alex realizes that, by getting back into the game, he has risked everything he has worked for: his marriage, his family's safety, and the trust of his closest colleagues--one of whom is betraying him. As the noose tightens around Alex, and the FSB closes in on Byron, the operation becomes a hall of mirrors with no exits. To find redemption, Alex must uncover Byron's secrets or risk losing everything.

The Poet's Game is a remarkably sophisticated and emotionally resonant portrait of a spy from a renowned master of the genre.