The Selected Works of Henry James, Vol. 02 (of 18): The Turn of the Screw; The Aspern Papers; The Ambassadors; The Real Thing and Other Tales
The Selected Works of Henry James, Vol. 02 (of 18): The Turn of the Screw; The Aspern Papers; The Ambassadors; The Real Thing and Other Tales
James, Henry
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Condition: New, UPC: 9781662718274, Publication Date: Sun, November 1, 2020, Type: Hardcover ,
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The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. Classified as both gothic fiction and a ghost story, the novella focuses on a governess who, caring for two children at a remote estate, becomes convinced that the grounds are haunted.


In the century following its publication, The Turn of the Screw became a cornerstone text of academics who subscribed to New Criticism. The novella has had differing interpretations, often mutually exclusive. Many critics have tried to determine the exact nature of the evil hinted at by the story. However, others have argued that the brilliance of the novella results from its ability to create an intimate sense of confusion and suspense within the reader.


The Aspern Papers is a novella by American writer Henry James, originally published in The Atlantic Monthly in 1888, with its first book publication later in the same year. One of James's best-known and most acclaimed longer tales, The Aspern Papers is based on the letters Percy Bysshe Shelley wrote to Mary Shelley's stepsister, Claire Clairmont, who saved them until she died. Set in Venice, The Aspern Papers demonstrates James's ability to generate suspense while never neglecting the development of his characters.


A nameless narrator goes to Venice to find Juliana Bordereau, an old lover of Jeffrey Aspern, a famous and now dead American poet. The narrator presents himself to the old woman as a prospective lodger and is prepared to court her niece Miss Tita (renamed Miss Tina in later editions), a plain, somewhat naive spinster, in hopes of getting a look at some of Aspern's letters and other papers kept by Juliana. Miss Tita had denied the existence of any such papers in a letter to the narrator and his publishing partner, but he believes she was dissembling on instructions from Juliana. The narrator eventually discloses his intentions to Miss Tita, who promises to help him.


The Ambassadors is a 1903 novel by Henry James, originally published as a serial in the North American Review (NAR). The novel is a dark comedy which follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of Chad Newsome, his widowed fianc e's supposedly wayward son; he is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether's point of view.


Lambert Strether, a middle-aged, yet not broadly experienced, man from Woollett, Massachusetts, agrees to assume a mission for his wealthy fianc e: go to Paris and rescue her son, Chad Newsome, from the clutches of a presumably wicked woman. On his journey, Strether stops in England and there meets Maria Gostrey, an American who has lived in Paris for years. Her cynical wit and worldly opinions start to rattle Strether's preconceived view of the situation.


"The Real Thing" is a short story by Henry James, first syndicated by S. S. McClure in multiple American newspapers and then published in the British publication Black and White in April 1892 and the following year as the title story in the collection, The Real Thing and Other Stories published by Macmillan. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. For the illustrator who narrates the story, the genuine article proves all too useless for his commercial purposes. The story portrays the unfortunate victims of a society in which reality and representation are closely intertwined in ways that make art a difficult project to disentangle the two.



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