"Stella Corso's GREEN KNIFE is an investigation into the world as an artefact of thinking or an investigation into thinking as something made by the world as a whole. The book's ostensible subject is art and the humans who precede and follow it in time--and, again, the obverse: the objects that oscillate in semi-permanence around the ephemeral human host. With its double blade of incision and bluntness, Stella Corso's GREEN KNIFE could be made of anything--the whole world, vision, light."--Joyelle Mcsweeney
"Stella Corso is a flâneuse who stays news. Fine, dandy, and refreshingly anti-social, the work herein is erotic, ekphrastic ear candy. For the side-eyeing, bittersweet aesthete in all of us."--Graham Foust
"In the spirit of Agnes Varda's Vagabond, this knife grinder meanders from graze into trespass, slurps soup at the street-facing countertop, watches other women powerwalking and just can't (or won't) get out of the way. I encountered this sibylline book like a one nightstand: it worked itself into my soft tissue, it made me remember things I had once sacrificed but long forgot, and it made me look at my daily life with new disgust and applause."--Valerie Hsiung
"If Aubrey Plaza were performing a reading of Chelsey Minnis' poetry in a museum, for the opening night of an exhibit on the surrealist painter Remedios Varo, I might drink some organic (minerally) champagne and wander past the poetry buffet towards the gift shop where all that's for sale is this book. I'd buy it."--Caren Beilin
Poetry. Hybrid. Art.