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9La forma de las ruinas es al mismo tiempo una intriga de investigadores e investigados, una novela profundamente autobiográfica y una intensa exploración histórica. La novela más importante de Juan Gabriel Vásquez. Las teorías de la conspiración son como enredaderas, Vásquez. Se agarran de lo que sea para subir y siguen subiendo hasta que no se les quite lo que las sostiene. En el año 2014, Carlos Carballo es arrestado por intentar robar de un museo el traje de paño de Jorge Eliécer Gaitán, líder político asesinado en Bogotá en 1948. Carballo es un hombre atormentado que busca señales para desentrañar los misterios de un pasado que lo obsesiona. Pero nadie, ni siquiera sus amigos más cercanos, sospecha las razones profundas de su obsesión. Qué conecta los asesinatos de Jorge Eliécer Gaitán, cuya muerte partió en dos la historia de Colombia, y de John F. Kennedy? De qué forma puede un crimen ocurrido en 1914, el del senador liberal colombiano Rafael Uribe Uribe, marcar la vida de un hombre en el siglo XXI? Para Carballo todo está conectado, y las coincidencias no existen. Tras un encuentro fortuito con este hombre misterioso, el escritor Juan Gabriel Vásquez se ve obligado a internarse en los secretos de una vida ajena, al tiempo que se enfrenta a los momentos más oscuros del pasado colombiano. Una lectura compulsiva, tan bella y honda como apasionante, y una indagación magistral en las verdades inciertas de un país que no acaba de conocerse. Una de las voces más originales de la nueva literatura latinoamericana.
Mario Vargas Llosa Reseñas:
El colombiano conjura en La forma de las ruinas sus demonios y los de su país, lastrado aún por la violencia y el narcoterror.
El Norte De Castilla Gracias a una estrategia de realidad y ficción, el propio Vásquez se inventa a sí mismo como narrador y en cierto modo investigador de estos crímenes.
Elena Hevia, El Periódico De Catalunya La investigación de Anzola es absolutamente hipnótica, una muestra de narrativa tensa, ágil, inteligente.
Nadal Suau, EL Cultural de El Mundo La crítica ha dicho sobre el autor y su obra...
[Los informantes es] un magnífico y aterrador estudio sobre cómo el pasado puede invadir el presente, y una fascinante revelación de un rincón poco conocido del teatro de la guerra nazi
John Banville [ Historia secreta de Costaguana es] un libro vívido, contundente, magistral
Alberto Manguel, The Guardian Esta novela [El ruido de las cosas al caer] es el objeto verbal mejor logrado que he leído en toda la literatura colombiana de los últimos tiempos
Héctor Abad Faciolince, El espectador Uno sale de esta novela [Las reputaciones] simplemente aturdido por la gran lección de literatura impartida por el autor
Étienne de Montety, Le Figaro
ENGLISH DESCRIPTION The winner of the IMPAC Prize and the Alfaguara Novel Prize for The Sound of Things Falling brings us a thrilling novel about the intrigues of power and its conspiracies.
- His most important novel to date.
- Juan Gabriel Vásquez is one of the most prominent young writers in the Spanish language.
- His previous novel, Reputations, received the 20th San Clemente Literary Prize and the Real Academia Española Prize.
- The Sound of Things Falling, 2011 Alfaguara Novel Prize winner, has been widely translated to other languages.
- He has been praised by the likes of Mario Vargas Llosa, John Banville, Javier Cercas, Colm Tóibín, Juan Marsé, Nicole Krauss, and Edmund White. In 2014, a man is apprehended at a museum in Bogotá trying to steal the suit that an assassinated politician wore on the day of his death. What is behind--and what is the link between--the 1914 attacks against Colombian senator Rafael Uribe Uribe--who would inspire García Márquez to create Aureliano Buendía from One Hundred Years of Solitude, the leader of the Liberal Party Jorge Eliecer Gaitán--whose death in 1948 would blow up the history of Colombia, and JFK in Dallas, Texas, on November 22, 1963? Carlos Carballo, the protagonist of this story, is a man obsessed with the past who looks for signs and clues to unravel history's secrets and lies. What happens if you look at all these crimes together? Is it possible that they might hold an answer? Juan Gabriel Vásquez, the author-narrator of the novel, had a strange privilege: to hold in his hands the mortal remains of those two politicians whose assassinations affected the 20th century in Colombia. This novel stems from that moment in his life. Those are the ruins described in the title. This is a tale about criminal investigations, but also about the relationship that we establish with the past and with political conspiracies, both real and imaginary. Why do they fascinate us? Why do we insist on searching for hidden culprits in the violent acts that have impacted our history? How do we inherit them even if they happened before we were born? By including himself as a narrator in a fiction work, Vásquez uses events in his own life--from the births of his daughters to the way that he came to hold the remains of two murdered men--to reflect about these topics.
Mario Vargas Llosa Reseñas:
El colombiano conjura en La forma de las ruinas sus demonios y los de su país, lastrado aún por la violencia y el narcoterror.
El Norte De Castilla Gracias a una estrategia de realidad y ficción, el propio Vásquez se inventa a sí mismo como narrador y en cierto modo investigador de estos crímenes.
Elena Hevia, El Periódico De Catalunya La investigación de Anzola es absolutamente hipnótica, una muestra de narrativa tensa, ágil, inteligente.
Nadal Suau, EL Cultural de El Mundo La crítica ha dicho sobre el autor y su obra...
[Los informantes es] un magnífico y aterrador estudio sobre cómo el pasado puede invadir el presente, y una fascinante revelación de un rincón poco conocido del teatro de la guerra nazi
John Banville [ Historia secreta de Costaguana es] un libro vívido, contundente, magistral
Alberto Manguel, The Guardian Esta novela [El ruido de las cosas al caer] es el objeto verbal mejor logrado que he leído en toda la literatura colombiana de los últimos tiempos
Héctor Abad Faciolince, El espectador Uno sale de esta novela [Las reputaciones] simplemente aturdido por la gran lección de literatura impartida por el autor
Étienne de Montety, Le Figaro
ENGLISH DESCRIPTION The winner of the IMPAC Prize and the Alfaguara Novel Prize for The Sound of Things Falling brings us a thrilling novel about the intrigues of power and its conspiracies.
- His most important novel to date.
- Juan Gabriel Vásquez is one of the most prominent young writers in the Spanish language.
- His previous novel, Reputations, received the 20th San Clemente Literary Prize and the Real Academia Española Prize.
- The Sound of Things Falling, 2011 Alfaguara Novel Prize winner, has been widely translated to other languages.
- He has been praised by the likes of Mario Vargas Llosa, John Banville, Javier Cercas, Colm Tóibín, Juan Marsé, Nicole Krauss, and Edmund White. In 2014, a man is apprehended at a museum in Bogotá trying to steal the suit that an assassinated politician wore on the day of his death. What is behind--and what is the link between--the 1914 attacks against Colombian senator Rafael Uribe Uribe--who would inspire García Márquez to create Aureliano Buendía from One Hundred Years of Solitude, the leader of the Liberal Party Jorge Eliecer Gaitán--whose death in 1948 would blow up the history of Colombia, and JFK in Dallas, Texas, on November 22, 1963? Carlos Carballo, the protagonist of this story, is a man obsessed with the past who looks for signs and clues to unravel history's secrets and lies. What happens if you look at all these crimes together? Is it possible that they might hold an answer? Juan Gabriel Vásquez, the author-narrator of the novel, had a strange privilege: to hold in his hands the mortal remains of those two politicians whose assassinations affected the 20th century in Colombia. This novel stems from that moment in his life. Those are the ruins described in the title. This is a tale about criminal investigations, but also about the relationship that we establish with the past and with political conspiracies, both real and imaginary. Why do they fascinate us? Why do we insist on searching for hidden culprits in the violent acts that have impacted our history? How do we inherit them even if they happened before we were born? By including himself as a narrator in a fiction work, Vásquez uses events in his own life--from the births of his daughters to the way that he came to hold the remains of two murdered men--to reflect about these topics.
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